Audio engineers and producers looking for game-changing distortion plug-in will rejoice over the Arturia Dist COLDFIRE Dual Distortion Reactor, a dual-engine distortion effect that offers a wide pallet of textures, from rich tube saturation to unrestrained sonic destruction. By combining analog and digital algorithms with deep modulation and customization, the software provides a near-infinite pallet of distortion possibilities.

The preset browser lets you filter, organize, and save your favorite presets for instant recall. Every parameter can be mapped to your favorite MIDI controller for instant hands-on control of your mix. If you are new to Arturia, an integrated tutorial can guide you step-by-step through the crucial parameters, adjustments, and mixing hacks to get the most out of your sound. Dist COLDFIRE is Mac and Windows compatible and works with all major DAWs utilizing VST, AAX, AU, and NKS formats (64-bit only).

Audio engineers and producers looking to bring classic guitar-pedal distortion and saturation to their productions will rejoice over the Arturia Dist OPAMP-21, a software emulation of the classic Tech 21 SansAmp effects pedal that’s known for its direct amp-like sound. The plug-in adds cutting punch, harmonic color, and pure aggression to any sound.

Whether it’s that gritty rough edge, that in-your-face impact, or that final transparent boost you’re after, Dist OPAMP-21 delivers the full range of crisp, urgent, colorful distortion and saturation for which you’ve been looking. Dist OPAMP-21 is Mac and Windows compatible and works with all major DAWs utilizing VST, AAX, AU, and NKS formats (64-bit only).

Audio engineers and producers looking to bring authentic valve warmth and harmonic character to their productions will be impressed with the Arturia Dist TUBE-CULTURE, a software version of the studio classic, Thermonic Culture’s The Culture Vulture, an all-valve stereo distortion rack unit that provides remarkable saturation and crunch.

Saturate your mix bus with responsive analog heat, or scorch your instruments and stems with destructive distortion. Enjoy the unmistakable character of tube-drive studio hardware in your DAW like never before. Dist TUBE CULTURE is Mac and Windows compatible and works with all major DAWs utilizing VST, AAX, AU, and NKS formats (64-bit only).

The downloaded 1973-Pre Vintage Preamp Plug-In and License from Arturia is an emulation of the classic 1073 hardware preamp designed by Rupert Neve back in 1970. It can be used by producers, sound engineers, and artists on Mac and Windows computers, to capture a taste of that harmonically rich, classic tone in your DAW and music programs.

The 1973-Pre allows you to creatively shape your signal with low-, mid-, and high-band controls. The low-band controls let you balance the bass content in your signal, the mid-band can add presence, or cut the mud, and the high-band can add shine and air, or remove any unwanted sharpness. Additionally, the input gain controls how much of your signal is sent through the circuitry. Subtle levels introduce the brilliance that the 1073 is known for.

The TridA-Pre Musical Equalizer Plug-In download from Arturia is an emulation of the classic ’60s and ’70s Trident A Range console that became well known for its gorgeous, musical EQ, and the full, rich tone it imparts. This EQ plug-in can be used by producers, sound engineers, and artists on Mac and Windows computers, to capture a taste of that harmonically rich, classic tone in your DAW and music programs.

The TridA-Pre allows you to creatively shape your signal with low, high mid, low mid, and low EQ bands. Each has 4 switchable frequencies calibrated to match the original unit’s specification. These can be cut or boosted by 15 dB independently on the left and right channels or linked together. This gives you great freedom to shape your sound in a stereo space.

Furthermore, notch out the high end at 9, 12, or 15 kHz, or hit 2 or 3 switches to make more dramatic changes. Use the input gain to create super-subtle overtones to growling solid-state drive. To bring the EQ legend up to date, some optional enhancements have been added to make the most of your DAW: EQ bypass, automatic gain control, phase inversion, and stereo link. Now, thanks to the TridA-Pre Musical Equalizer, you can add the iconic tone and enjoy those sounds from that golden age of the recording studio.

The downloaded V76-Pre and License from Arturia is an emulation of the classic Telefunken V76 preamp incorporated in the REDD mixing console at Abbey Road studio coveted for the 1968 Beatles White Album sound. This plug-in can be used by producers, sound engineers, and artists on Mac and Windows computers, to capture a taste of that harmonically rich, classic tone in your DAW and music programs.

The V76-Pre’s equalizer is modeled on a modified Telefunken V612, giving you access to a musically-placed high shelf and low shelf. The main control of the preamp lets you increase the strength of the incoming signal, passing it through the virtual circuitry and vacuum tube. It starts to get more of its tonal flavor the hotter the signal gets, delivering a harmonically rich soft-clipping.

Furthermore, the high-pass lets you remove low bass frequencies at 80 Hz and roll-off high energy low end at 300 Hz. You can use both together to create a more dramatic effect. In addition, some optional enhancements have been added to make the most of your DAW: EQ bypass, automatic gain control, phase inversion, and stereo link. Now, thanks to the V76-Pre, you can add the iconic tone and enjoy those sounds from that golden age of the recording studio.

The Arturia Rev LX-24 Digital Reverb Plug-In is an enhanced virtual replica of a famous retro ambience box that defined reverb in the ’80s. Make your mixes bloom with real-feeling space, cave-depth atmosphere, and subtly sparkling texture in seconds—with a vintage digital sound that refuses to get old.

Featuring a unique slider-based interface and eight predefined algorithms inspired by the original hardware, the Rev LX-24 gives you instant access to essential spaces and resonant ambiences to bring vocals, drums, guitars, synths, and entire mixes to life with pristine long decays, quick-fire algorithms, and new feature enhancements for the modern workflow.

The Arturia Rev Plate-140 virtual reverb plug-in recreates the famed classic EMT 140 plate, a reverb that became part of practically every top studio’s arsenal. A true giant of the industry, this luxurious, rich, smooth plate has shaped the sound of many iconic vocal performances, added air to legendary drum tracks, and brought whole mixes together with bright, sweet overtones.

Rev Plate-140 offers 3 original plate models, each with its own unique sonic character and harmonic profile. New features have been added for the modern music maker, including predelay, chorus, prefiltering, and a post-reverb 3-band EQ.

The software is compatible with Mac and Windows. It operates within AU, VST2.4, VST3, and AAX formats.

Arturia Rev INTENSITY is an original reverb plug-in that uses innovative algorithmic techniques to create sounds ranging from lush, widescreen reverb to warped and twisted FX—while being easy on your CPU. If offers pre- and post-filtering modes, an integrated chorus, a reverb freeze function, and a soft-clipping mode, all adjustable via synth-style parameters that let you quickly go beyond standard reverb. You can modulate any parameter with an envelope follower and a programmable function, perfect for adventurous sound designers and music producers looking for quirky, unique spatial effects.

The software is compatible with Mac and Windows. It operates within AU, VST2.4, VST3, and AAX formats.

The Arturia Rev SPRING-636 virtual reverb plug-in recreates the famed classic Grampian 636 spring reverb, the go-to reverb of The Who’s Pete Townshend and legendary dub producer Lee Scratch Perry, and a cornerstone of reggae and ska music.

Modernized with creative and advanced new features for today’s music maker, the Rev SPRING-636 offers 8 swappable spring tanks, 2 preamp types, predelay, prefiltering, and a post-reverb 3-band EQ.

The software is compatible with Mac and Windows. It operates within AU, VST2.4, VST3, and AAX formats.

Available to download, the Artuia TAPE-201 models a classic tape delay from the 1970s, one designed to give guitarists and electric-organists a warm yet exciting sound to use on the stage or in the studio. The original made use of 1/4″ tape in a continuous loop to give players versatile control over multiple delay patterns. This often resulted in the creation of multiple rhythmic feels, all of which could be tweaked in a tone. The unit had an integrated spring reverb as well.

With TAE modeling technology, Arturia has authentically emulated this kind of unit right down to the adjustable tape speed, which can create haunting pitch changes as you modulate or automate the parameter in your DAW. You can also tweak the input equalizer and modulate the controls of the reverb. Drive it hard for an analog-style vintage saturation, or use it subtly. Also, you can modulate it all with an LFO sporting 16 possible destinations.

The plug-in offers extensive presets as well as built-in tutorials to get you up and running in no time at all. This plug-in is compatible with Mac and Windows operating systems. It will work in AU, VST2, VST3, and AAX formats.

Available for download, Arturia‘s MEMORY-BRIGADE offers the sound of a bucket-brigade device in a plug-in form factor. This pedal takes its cues from the Memory Man, a classic vintage pedal that was beloved for its dark, filtered sound that distinguished itself from tape delays of the era. Now you can get this beloved lo-fi sound in your DAW for mixing and production applications.

The plug-in uses Arturia’s TAE and Phi modeling techniques to analyze and reconstruct classic BBD circuits. It offers vibrato and EQ modualtion to customize the sound to your liking, and you can make use of chorusing to further tweak the tone. Drive it hard for vintage warmth, or use it subtly in your own creations.

Shape the input with low-pass, high-pass, and peak filters, and modulate it all with an LFO with 16 possible destinations. If rhythmic effects are your fancy, you can make use of an envelope follower for dynamic modulations.

The plug-in offers extensive presets, as well as built-in tutorials to get you up and running in no time at all. This plug-in is compatible with Mac and Windows operating systems. It will work in AU, VST2, VST3, and AAX formats.

Available for download, Arturia ETERNITY is a plug-in that provides a modern digital delay for use in DAWs. In addition to traditional delay effects, Arturia has packed this plug-in with modern features to suit both experimental and traditional producers alike. Whether you’re looking to create traditional ping-pong delays, or modulated resonating echoes, this plug-in has you covered.

Five modes are on hand for single, ping pong, pan, dual serial, and dual parallel delays. You can go for a natural repeat, or repitch the sound as you see fit. Bit-crushers are on hand in the feedback path, as are three filters. Shape the input with low-pass, high-pass, and peak filters, and modulate it all with two LFOs, each of which have 26 possible dual destinations. If rhythmic effects are your fancy, you can make use of an envelope follower for dynamic modulations.

If all this seems like a lot, do not worry: the plug-in offers extensive presets, as well as built-in tutorials to get you up and running in no time at all. This plug-in is compatible with Mac and Windows operating systems. It will work in AU, VST2, VST3, and AAX formats.

Audio engineers and producers looking for that special mojo during mixing sessions will be thrilled with the Arturia Bus FORCE, a parallel processing powerhouse that makes anything sound better. The plug-in is equipped with 3-band EQ, compressor, filter, saturator, and clipping modules.

Revered for its broad ranges and musical curves, the EQ module is based on the legendary 3-band Pultec EQ. Shape your sound from delicate high-end accents to an uber-fat bass boost across the stereo field. The proprietary VCA compressor is inspired by contemporary units like the Overstayer Modular Channel, which provides a punchy and modern sound. The switchable sidechain detection circuit and FORCE control allow for smooth to explosive compression techniques.

The filter module features a classic low-pass and high-pass resonant filter based on the classic Oberheim SEM, which gives your vocal sibilance room to breathe or dampens the sharpness and attack of your low end. The saturation module provides four types of saturation including Even, Odd, Thick, and Overdrive, which creates subtle warmth to a highly sought-after grungy character. Clipping offers additional distortion, which squares the waveform when it goes over zero, resulting in a lot of high-frequency partials.

The Bus FORCE offers three paths to work with including Dry, Comp, and Sat. Each path is configured to utilize a different combination of Bus FORCE modules. What’s more, you have individual control over every aspect of the routing and individual module configuration. You also have control over how much of each path you want to include in the output signal, as well as how the paths interact with each other. There are over 36 possible routings to explore.

Audio engineers and producers looking for a classic Neve compressor for mixing and mastering will rejoice over the Arturia Comp DIODE-609, a re-engineered software emulation of the legendary Neve 33609 compressor/limiter. This highly sought-after dynamics processor is famed for its warm, smooth, and versatile stereo response. Modern music wouldn’t be the same without its unmistakably creamy response, simple design, and sonic flexibility.

The Comp DIODE-609 features dual compression channels and is particularly effective on bus channels such as the stereo master and drum buses, but also adds tightness and rich harmonics to instruments and vocals. You’ll find the familiar controls, from fast/slow attack options to makeup gain to a variable attack option for the optimal amount of punch. The limiter is authentically opposite of transparent, offering a distinct warmth and a signature crunch when tightening the threshold.

This stereo processor features a link/unlink parameter switch, as well as stereo/dual mono selections and mid/side / stereo option. With the mid/side option selected, you can independently compress the middle and sides of your mix, so that every instrument, vocal, and rhythm sits just right. The dry/wet knob allows you to dial in the perfect amount of parallel compression, combining the best of the original dynamics with the signature sound of the compressor.

The advanced sidechaining function allows you to select internal or external inputs, sidechain listen, lookahead control, and even includes a sidechain EQ to ensure pumping pads, vocal space, and responsive density in any mix.

Other notable features include a switchable analog/digital VU meter and stepped/continuous controls. The digital VU meter displays the waveform alongside compression levels and gain reduction. The stepped controls will adjust parameters in bold chunks, while the continuous control provides a finer level of control.

Audio engineers and producers looking for a classic analog EQ with stunning broadcast-quality presence, immersive stereo depth, and a delicate harmonic crunch for mixing and mastering will rejoice over the Arturia EQ SITRAL-295, a reengineered software emulation of the legendary siemens Sitral broadcast console EQ with a highly musical effect that’s known for its warm, characterful sound. With an injection of vintage sweetness and analog attitude in equal measure, the EQ SITRAL is designed to make sound-shaping interesting. From delicate tweaks to bold frequency carving, the EQ will enliven your stems, bus tracks, and final mixes alike with precision, confidence, and charm.

The EQ SITRAL-295 features a beautifully simple EQ module with four main controls including low-shelf gain, high-shelf gain, and the distinct Präsenz bell filter frequency and gain. There is also a high-pass filter based on the Sitral W293 module, which has a gentle slope with a cut off range from 20 to 320 Hz, while the low-pass filter based on the W294 module provides a smooth pumping low pass from 22 kHz down to 1400 Hz. Whatever EQ settings you use, you’ll find that it retains clarity, character, and will impart subtle transistor distortion for a bubbly sound that remains full of musicality and depth.

Other notable features include mid/side processing, allowing you to tweak the middle and sides of your mix separately and the Range knob, which attenuates the effect’s overall response proportionally. The Charakter selector provides an alternative mode, which offers an overall contemporary sound with a touch more crunch and compression. A built-in spectrum analyzer provides color-coded EQ curves in real-time. The knobs are stepped by default, which allows you to quickly dial in your sound. However, should you wish a more precise approach, a continuous mode allows you to mix between the lines for the finest detail.

Audio engineers and producers looking to bathe their mixes in a warm spacious texture will be thrilled with the Arturia Chorus DIMENSION-D, a reengineered software emulation of the legendary Roland Dimension D, which provides beautifully smooth analog chorus and rich stereo enhancement at the touch of a button.

The Chorus DIMENSION-D features simple controls including the 4-button Dimension mode, spatial enhancer, dynamic color, and oscillator shapes. The 4-button Dimension mode allows you to explore different combinations of rate and depth variations, while the spatial enhancer allows you to dial in the width of your signal. The dynamic color features authentic bucket-brigade circuitry for stunning warmth and subtle saturation. The LFO features sine, upward saw, sample/hold, and random waveforms which create subtle swirls and slow-pitched modulation for a range of rich moving textures.

Audio engineers and producers looking to animate tracks with colorful modulation will be pleased with the Arturia Phaser BI-TRON, a reengineered software emulation of one of the most coveted guitar pedals in history, which provides an all-encompassing phaser that oozes with sci-fi retro charm. Create hypnotic and otherworldly sounds with asynchronous movement and resonate swirls suspended in orbit.

The Phaser BI-TRON features two independent LFOs with switchable waveforms and rates that can be tempo synced. By tweaking both in tandem, one can create unpredictable interplay that results in a wide variety of animated sounds. Additionally, the BI-TRON offers two Phasor circuits with independent depth, feedback, and modulation source controls.

The expression pedal features manual control over both LFO rates and Phasor circuits with an option of envelope control. You can choose to run in mono or stereo and series or parallel for an unprecedented palette of stereo modulation, each with its own distinct sonic character. There are 37 presets that have been curated to give you instant access to the double-barreled energy of the Phaser BI-TRON.

Audio engineers and producers looking to animate tracks with colorful modulation will be pleased with the Arturia Flanger BL-20, a reengineered software emulation of the beloved studio classic, which provides inspiring and unpredictable sounds well beyond the familiar jet-engine effect. Add harmonic depth and massive movement to your mix.

The Flanger BL-20 features three modulation sources including Auto (LFO), Env (internal or external), or Manual. Combine any combination of the three sources to create an array of flanger sounds unlike anything you’ve heard. Operate in either mono or stereo mode, and manipulate the stereo spread of the modulated signal for ultrawide presence in your mix.

The flanger utilizes an authentic bucket-brigade-device (BBD) circuit emulation to impart glorious analog warmth to your signal. What’s more, you can change the Auto LFO shape, tweak the stereo spread, and even add your own envelope design thanks to the advanced function generator that’s borrowed from Arturia’s Pigment. There are 28 curated presets available for instant access to the analog brilliance and energetic movement of the Flanger BL-20.

Audio engineers and producers looking to add the classic chorus sound from the Roland Juno-6 will be thrilled with the Arturia Chorus JUN-6, a reengineered software emulation of the legendary Roland Juno-6 chorus, which brings massive stereo richness, analog warmth, and subtle modulated movement to your sound at the touch of a button.

The Chorus JUN-6 features simple controls including an accurate recreation of the 2-mode Roland Juno-6 chorus plus additional manual depth, rate, and phase controls, which allow for width adjustment. Also included are the original I + II position for vibrato-like sounds. Finally, you can harness this powerful chorus effect that was originally only available within the Juno-6 polysynth.

Available for download, the Arturia Comp VCA-65 is a software compressor designed for pro-audio mixing. It emulates a classic VCA compressor renowned for its hefty sound, a compressor historically used on rhythm-section instruments, such as bass, drums, and guitar. The original hardware had several features that studios find desirable, such as an Over Easy mode for auto-calibrating attack and release times, and a peak-stop limiter for adding harshness and aggression to the tone. This software gives you those features and more.

Indeed, the Comp VCA-65 boasts some updates to the original hardware that are designed to make mixing easier. For instance, an Advanced Sidechain control enables extensive sidechaining, letting you filter the sidechain input with an EQ and M/S filters, so you can control what will trigger the compressor. Arturia has also provided a Time Warp knob, which changes the behavior of the attack and release shapes, affording you extensive control over the compression envelope.

This plug-in is compatible with Mac and Windows operating systems. It will work in AU, VST2, VST3, and AAX formats.

Available for download, the Arturia Comp TUBE-STA is a software compressor intended for use in pro audio mixing. This compressor emulates the sound of a classic tube-driven compressor, one with nonlinear attack and release times that made it inherently musical. The original hardware was also renowned for its lush, round, and creamy tone. Throughout the 60s and 70s, the compressor was found on bass, vocals, horns, and lead instruments.

This software boasts some updates to the original hardware that are designed to make mixing easier. For instance, an Input-Output Link lets you push the input without incurring level changes. An Advanced Sidechain Control enables extensive sidechaining, letting you filter the sidechain input with an EQ and M/S filters, so you can control what will trigger the compressor. Arturia has also provided a mix knob for blending dry signal with compressed signal. Using the mix knob, you can tweak the compressor more aggressively, yet retain subtlety by only using a small amount of the processed signal.

This plug-in is compatible with Mac and Windows operating systems. It will work in AU, VST2, VST3, and AAX formats.

Available for download, the Arturia Comp FET-76 is a software compressor designed for pro audio mixing. It emulates a classic FET 76 compressor, giving you both the tone and behavior of the famed hardware units. The compressor is traditionally used on everything from drums to vocals and is historically favored for its vintage tone and versatile dynamic restriction. Process anything; from fast and aggressive compression to smooth and creamy control is available to you with this compressor.

This software boasts some updates to the original hardware that are designed to make mixing easier. For instance, an Input-Output Link lets you push the input without incurring level changes. An Advanced Sidechain Control enables extensive sidechaining, letting you filter the sidechain input with EQ and M/S filters, so you can control what triggers the compressor. Arturia has also provided a Time Warp knob, which changes the behavior of the attack and release shapes, affording you extensive control over the compression envelope.

This plug-in is compatible with Mac and Windows operating systems. It will work in AU, VST2, VST3, and AAX formats.

The electronic download of Mini-Filter Plug-In and License from Arturia is an emulation of the analog original of Bob Moog’s 1970 monosynth filter. It can be used by producers, sound engineers, and artists on Mac and Windows computers to capture a taste of that harmonically rich, classic tone, in your DAW and music programs.

This 24 dB per octave ladder filter has always been at the core of Moog’s Model D monosynth and now it can be applied to other audio sources. Whether you’re a singer, a guitarist, a DJ, or a producer, Mini-Filter will spice up your music with its warm and highly musical tone.

The electronic download of SEM-Filter License from Arturia is virtual software that models Tom Oberheim’s original SEM, or Synth Expander Module. The SEM-Filter serves many purposes like adding polyphony, fattening up sound, and performing sequences in a supporting role for a main synthesizer. Oberheim’s brainchild instrument is now considered a classic and can be used by producers, sound engineers, and artists on Mac and Windows computers, to capture a taste of that harmonically rich, classic tone in your DAW and music programs.

The 12 dB per octave multimode filter helped define the sonic identity of Oberheim’s popular 70s synth, because it shaped a diverse range of sounds that were almost impossible to get on other synthesizers. The SEM-Filter not only carefully models the crossfadable modes of the filter—low-pass, high-pass, notch and band-pass—but also expands its functionality and features to create a natural-sounding, versatile filter plugin that you’ll want to use on every track you create.

The electronic download of M12-Filter License from Arturia is software that models Tom Oberheim’s Matrix-12 multimode analog polyphonic synthesizer. His brainchild instrument is now considered a classic, and the filter became synonymous with the sound of the ’80s. The M12-Filter can be used by producers, sound engineers, and artists, on Mac and Windows computers, to capture a taste of that harmonically rich, classic tone in your DAW and music programs.

The plug-in features two discrete analog filters, each identical to the original with cutoff and resonance control, as well as all 15 original modes. Filter effect panning and level control is also added for each filter. The M12-Filter offers 4 filter routing options: A, B, series, and parallel, giving you huge control over its sound. In addition, there is a dry/wet knob, as well as a MatrixBrute-style master cutoff that affects both filters at once.

Combining intuitive, natural-sounding modeled analog filter tone control with programmable modulation envelopes, a detailed mod matrix, and bonus random and mod osc parameters, M12-Filter is a nice go-to choice for creative frequency control. Create anything from smooth sweeps to rhythmic motion, all the way to full-blown, randomized glitch meltdowns, with the M12-Filter plug-in.

The Tape MELLO-FI plug-in from Arturia is a single plug-in that captures the imperfect behavior of analog tape machines and allows you to add that warm nostalgic feel to your digital music. Easy to use, MELLO-Fi takes just a few seconds to infuse your music with analog tape effects ranging from analog fatness to pitch flutters. Featuring a vintage preamp, built-in low-pass and high-pass filters, and subtle tape-noise effects to dirty up your pristine sound. Works with 64-bit DAWs that use VST, AX, AU, and NKS plug-ins on Windows and Mac systems.

The Rotary CLS-222 plug-in from Arturia is a reimagining of the classic Dynacord rotary-speaker emulator as a creative tool. This plug-in allows you to take your music from smooth stereo to spinning synchronized patterns. This plug-in works with 64-bit DAWs that use VST, AX, AU, or NKS plug-ins, on Windows and Mac systems.

The Efx FRAGMENTS plug-in from Arturia uses granular processing to add glitchy stutters, grainy stereo ambience, and experimental textures to virtually any sound. Explore and experiment with your sound with absolute control and unprecedented detail. This plug-in works with 64-bit DAWs that use VST, AX, AU, and NKS plug-ins on Windows and Mac systems.