H-Comp from Waves is a hybrid compressor plug-in that models the behavior of transformer, tube, and transistor circuits, and combines them with the repeatability of software. The compressor’s release performance is specifically modeled on the corresponding analog behavior, while a wet/dry control allows for parallel compression.

Other features include multiple sync functions, an output limiter, and access to the compressor circuitry via an external side-chain for additional compression control.

H-Delay from Waves is a hybrid delay plug-in that features old school PCM42-style effects like filtering, flanging, and phasing, along with slap-back echo, ping-pong delay, and tempo-sync with modulation. The plug-in has full MIDI support.

An intuitive interface aids in quickly creating an effect using a comprehensive set of controls and includes a tap tempo pad for manually tapping in a tempo. Internal or host-to sync is also available, and the high- and low-pass filters can be linked.

L1 Ultramaximizer from Waves is a plug-in that provides dynamics control for any audio application, from multimedia to mastering. The software features look-ahead peak limiting, level maximization, and high resolution re-quantization, and is known for its transparency and punch.

L2 Ultramaximizer from Waves is a plug-in that provides dynamics control for mixing, mastering, and more. The software features look-ahead brickwall peak limiting, level maximization, and ultra high resolution re-quantization for crystal clear level gain.

The L3 Multimaximizer from Waves is a plug-in that performs multi-band peak limiting, delivered in two versions. The Multimaximizer and Ultramaximizer plug-ins both utilize the Peak Limiting Mixer (PLMixer) engine with the only difference being less control provided on the Ultramaximizer.

The plug-in uses linear phase crossover filters to divide the audio spectrum into five bands. The PLMixer then uses psychoacoustic criteria to intelligently decide how much attenuation to apply to each band so that all available headroom is used.

The result is that inter-modulation is minimized and overall loudness is maximized, while brick-wall limiting and a single master threshold control are both maintained. With its transparent operation, brick-wall limiting, dithering, and noise shaping control, the L3 is able to function as a complete mastering processor.

The Linear Phase EQ from Waves is a plug-in created with mastering as its main focus. The linear phase filters preserve the original musical balance with absolutely zero phase shift, while providing precise control over the harmonic spectrum.

The Linear Phase Multiband Compressor from Waves is a multiband dynamics plug-in for mixing, mastering, and more. The software utilizes technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters.

The inclusion of linear phase crossovers allows the plug-in to function without any phase-based distortion, and each of the five bands features threshold, gain, range, attack and release controls for transparent multiband compression.

LoAIR from Waves is a plug-in for generating and enhancing subharmonic content in music or sound effects. The process adds heft and depth to audio material, while also allowing the shaping of the ultra low-end with adjustable frequency and low-pass filter controls. Additionally, the software can process polyphonic content in a manner that enhances the low end in a natural and musical way, as well as create an LFE track from stereo or 5.0 sources.

MetaFlanger from Waves is a plug-in for emulating the sound of great vintage tape flanging and phaser. The software is capable of generating anything from gentle choruses and dual-delay flanging sounds, to sharp phasing and extreme jet sweeps.

MondoMod from Waves is a modulation plug-in for creating unique sonic textures ranging from tranquil to turbulent. The software uses a combination of linked AM (Amplitude Modulation), FM (Frequency Modulation) and rotation modulators. The software features five selectable waveforms for the LFO, and the overall tempo of the modulators can be synchronized to the host software.

The Morphoder from Waves is a plug-in that redefines the sound of the classic vocoder. The plug-in allows for combining two distinct audio signals to create new and perhaps strange sonic combinations, with unmatched clarity and definition.

At the heart of the plug-in is an eight-voice synthesizer with formant control and a modulator with a Linear Phase EQ. MIDI control is also available. A four-octave virtual keyboard provides note input directly from within the plug-in.

The PAZ Analyzer from Waves is an audio analysis plug-in that generates a comprehensive real-time visual representation of the audio’s stereo positioning, frequency spread, and peak/RMS levels. It shows the peak and RMS displays with individually re-settable peak hold values, and provides optional resolution in 10 Hz steps for precise analysis below 250 Hz. The analysis graphic output can be saved as a text file.

The PS22 Stereo Maker from Waves is ideal for revitalizing old recordings, as well as sound effects, guitar leads, and more. The software provides mono-to-stereo emulation, can be used to enhance individual tracks, or for re-balancing the spatial imaging of a stereo mix.

The Q10 from Waves is a paragraphic EQ plug-in that features up to ten frequency bands within seven components. The software delivers precision equalization for mixing and mastering alike, with each band having the same extended frequency range, and the ability to narrow the bandwidth (Q) for more surgical tasks.

With presets that cover a wide range of applications and advanced noise shaping, the software provides the tools for both creating special effects and spectral modifications that range from subtle to extreme. The plug-in includes Native, SoundGrid and TDM licenses.

The Renaissance Axx from Waves is a dynamics plug-in engineered especially for guitar and bass. Settings can be dialed in very easily via a three-parameter interface that includes a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.

The Renaissance Bass from Waves is a bass enhancement plug-in featuring the company’s MaxxBass psycho-acoustic technology. Tightening up the bass component of mix, or any material for that matter, has never been easier, while at the same time providing the ability to extend the perceived bass depth by up to 1.5 octaves without stressing the speaker system.

The Renaissance Compressor from Waves is a compressor plug-in that features two compression modes: vintage opto and modern electro. Featuring a streamlined interface, the plug-in utilizes technologies from both the company’s C1 Parametric Compander, along with the L1 Ultramaximizer.

The Renaissance Equalizer from Waves is a paragraphic EQ plug-in that features real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom.

S1 Stereo Imager from Waves is a plug-in that provides the tools to manipulate the spatial imaging of audio material. Using psycho-acoustic techniques, the software can enhance and alter stereo separation using a choice of three components. It can, among other things, make the stereo field wider or narrower, place objects outside of the speakers, or compensate for a “lopsided” image.

SoundShifter from Waves is a three-component plug-in that delivers pitch or time shifting without losing the punch, groove and transients of the original source material. The plug-in allows for changing key, changing tempo, changing duration, and manipulating the time-pitch continuum with accuracy and clarity.

SuperTap from Waves is a delay plug-in inspired by the sound and legacy of analog tape. Featuring extensive modulation, panning, and filter options, the software delivers analog style with digital precision. Tempo entry can be achieved automatically using the sync to host tempo functionality, or by using the Tap-Pad feature for tapping in a tempo setting.

TransX from Waves is a processor plug-in that modifies the shape of transients, either sharpening or softening the edges. Use of the software allows for breathing life into dull sounding drum loops, accentuating or attenuating instrumental attacks, and modifying room acoustics. The plug-in can also highlight sustains and can be used on individual tracks or, with judicious use, on complete mixes.

UltraPitch from Waves is a plug-in designed for achieving thick stereo chorusing, doubling, parallel harmonization, vocal slap back and spread effects, and much more. Using three modules it’s possible to transpose, harmonize, modulate, and transform any sound. Multiple factory presets, including classic setups, are conveniently available.

V-Comp from Waves is a dynamics plug-in that uses time constants and a fixed nominal output gain to recreate the famous output-bus sound signature of a vintage 2254 hardware compressor. The plug-in is very responsive, with only a little gain reduction needed to glue a mix together.

The V-EQ3 from Waves is a three-band EQ plug-in modeled after the 1066 and 1073 console modules, two of the most sought after EQs. It features the same classic frequency cutoff points as the originals, along with a variable high-pass filter.

The V-EQ4 from Waves is a four-band EQ plug-in modeled after the 1081 console module and features detailed high frequency boosts, plus high-pass and low-pass filters. The software conveys the vintage character of the original hardware while simultaneously delivering modern digital usability.